Lower Academy / Upper Academy
A Toy's Story

Start with the Toy


Overview

objective

  • SWBAT identify and record details in their toy.
  • SWBAT identify the basic shapes that make up their toy.

Setup

Students will be working individually, so have materials prepared to go out to tables/desks depending on how your class is set up.

Materials

Pencil, watercolor paper

Photocopies

N/A

Media

N/A


Lesson

10m, inspiration image

⚲

'Still Life: An Allegory of the Vanities of Human Life', Harmen Steenwyck, 1640

Harmen Steenwyck painted allegorical still lives—this meant that everything in his still life was symbolic, or helped to tell a story. In this particular still life, he is cautioning the viewer to be careful about placing too much importance in the wealth and pleasures of this life. For example: The skull is a warning that one day you’ll die, and world possessions won’t matter.The shell is very rare and is a symbol of wealth; the purple silk cloth is another example of wealth. Silk is the finest of all materials, while purple was the most expensive color dye; and so on. All the objects are ones that would be owned by the very wealthy.

look and discuss an art piece that introduces some of the lesson concepts

Project the inspiration image where students can see it. Give students a moment to study it silently, then begin a brief discussion with the phrase, “What can we find?”. Paraphrase what students say for the benefit of the class, being careful to remain neutral, then ask “What else can we find?”.

Alternately, allow them to draw or write what they notice on a blank piece of paper or in a sketchbook.

The point of this discussion time is to have students learn and add onto each other’s thoughts. By remaining neutral and simply repeating what students say you allow students to do the heavy mental lifting and also create an environment where there is no wrong answer, fostering creativity and mental risk-taking.

5m, Introduction video

watch the video introduction or download for offline viewing

NOTE: NOTE: the students will fold paper when the video first says “pause”, so have watercolor paper for them to fold. They will not be drawing or otherwise engaging until the lesson is over.

check for understanding

Check for understanding by asking, “Who was listening closely that can sum up what we are doing today?” Make sure that student artists can list all the steps and clarify anything that needs clarifying.

20-25m, worktime

independent

The students work independently on their work as the teacher circulates. Foster strong work habits by commenting on student artists who are focused on their work as well as student artists who seem to be pushing themselves to try new things.

FOCUS ON STUDYING AND DRAWING THE OBJECT DETAILS

The focus of the class period should be getting student artists to learn how to closely examine their object as they are drawing it. Comment on student artists drawing slowly, as well as those who are noticing unique details of their piece (recording hair or fur and so on).

5-10m, clean-up/presentations

students discuss the artistic decisions that they made

Use 'what, how, and why' and then take comments or questions.

Depending on the teacher’s style of classroom management, it might be helpful to only choose and train a few kids to clean. The rest of the class can be busy with the presentation. Make sure to train these helpers well in advance so that you aren’t left with a messy room.

Clean-up times will vary with materials; get to know your class and allow 5-10 minutes depending on how efficient they are and whether or not the material was messy.

Choose presenting student artists in advance and let them know during their work time so that they are prepared.

Sharing should work as follows:


Extension

anticipated problems

  • Make sure that students are drawing on either section 3 or 4 with the opening at the bottom; you want the drawing to be on the bottom half of the paper so they have enough room to add details during Lesson 4.
  • If a student needs to go a little bit above the line, that’s o.k.; this is a rough guideline. Likewise, if a student has a long stuffed animal and it makes more sense to draw it over sections 3 & 4 rather than just section 4, that is also o.k. The folds are intended for them to parcel out their space (drawing just on section 4 leaves space to draw a friend’s toy, too, and drawing on section 3 & 4 leaves space at the top for drawing a background in Lesson 4).
  • Students may become frustrated if their drawing doesn’t look ‘right’. Ensure them that part of being an artist is identifying the things that don’t look quite right and simply fixing them. Ask them to compare the lines and the shapes and try to help them problem-solve where they feel their drawing isn’t working.
  • Some students may draw too quickly—if they do so, talk with them and point out some of the things that they missed when they zoomed through the drawing. Demonstrate how slowly the pencil should be moving (‘like an ant creeping along’). Remind them that they should be moving the pencil at the same speed as their eye and it moves around the object they are drawing.
  • Feel free to pair students up to her teach other, but remind them not to draw on one-another’s pictures. Their role is to help each other learn.
  • Remind students that erasing is just as important as drawing, and part of learning how to draw is erasing and starting over.

early finishers

Allow students to draw as many other toys as they have time for.

Lesson 2 finished!

Next Lesson

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